Thursday was a Gaudi evening–a late afternoon tour of Casa Mila followed by an early evening tour and rooftop performance by a local singer, complete with cocktails served under the lights at Casa Batllo, right down the street.
But first was our long-awaited brunch at Milk, complete with their Bloody Marys, the best in Europe. We showed up at 9:30 a.m. without a reservation, and we were given a table right away. Had we waited another half hour, we would have waited out on the street for another half hour. Even in the middle of the week with depressed tourism numbers, Milk still fills up for brunch.
Our Bloody Mary lust fulfilled, we spent the rest of the day walking around the marina checking out the new mega-mega yachts arriving, and checked in at Royal Barcelona Yacht Club to make reservations for lunch Friday.
By late afternoon, it was time for our Gaudi adventure, so we took the Metro up to the tony Gracia nieighborhood, where Casa Mila and Casa Batllo are separated by only two blocks. Gracia along that stretch is the Fifth Avenue/Champs Elysees of Barcelona, lined on both sides of the wide thoroughfare with all the luxury brand names like Gucci, Louis Vuitton, Cartier and the rest.
Both the Gaudi casas have stepped up their game in terms of production values in a major way. In some measure, that diminishes some of the tour through the buildings, as I remembered being able to go through rooms and areas that are no longer part of the very produced and orchestrated routes.
But none of that diminishes the beauty and grandeur of Gaudi’s residential creations. Casa Mila was his last residential project, designed for a very rich family who wanted to live on the ground floor and rent the upper floors out as apartments. Your tour now includes an informative audio guide that leads through all the major rooms and up into the attic where Gaudi’s famous whale bone catenary arches support the roof.
What they don’t tell you is that the way down and out is via seven floors of stairs with no stopping or detours. Lynn was none too happy.

While she took a potty break before leaving the building, I was able to admire what used to be the main entrance and owners’ stairwell, which I could have sworn was once open as part of the tour. Now it is off limits to visitors but visible on your way out and to the inevitable shop.
We actually made it through Casa Mila a bit too quickly as we had nearly an hour to wait for Casa Batllo to open the lines for the evening patrons. We should have sat down for a glass of wine, but I didn’t want to jeopardize our place in line. Bad judgment on my part.
We had the more exclusive gold tickets what would set us right up to the stage on the roof but even more important, admit us ahead of everyone else holding tickets.
We picked up our auto-sensing headphones at the entrance, which is not at all what I remembered from our previous visits. The entry area is now sleek, modern and nothing like the Gaudi architecture that awaits beyond.

Once we were inside the actual building, the headphones automatically sense which room you are standing in, and a narrative starts, complete with music and in some rooms a video depicting life among the very wealthy in early 20th century Barcelona. It’s all an extremely polished and sophisticated production.

We worked our way up the stairs through the graduated tiled light well and past Apartment F, where incredibly someone actually still lives. We reached the attic of arches fairly quickly by not listening all the way through the entire narrative in each room.
We actually reached the rooftop area early. We weren’t the only ones, and a line formed to wait on the setup to be completed.
Once in and seated, the show began right at 7 p.m. We were entertained by a very talented singer and her keyboard player.


Our performer sang a series of popular songs and her own numbers in three different languages, which itself was very impressive. Our tickets included two glasses of cava or beer, which we eagerly accepted, since my bad judgment had deprived us of a glass of wine before entering the place.

An hour and two drinks later, we wound our way back down to the ground through a brand new stairway designed by a Japanese sculptor to emulate Gaudi’s curves. More stairs, but at least these presented some passing interest.

And then we were out.
The Metro station is directly in front of Casa Batllo, so we ducked down to catch a different train back. What we did not realize was that our intended train was nearly a kilometer walk away. We would have been better off taking our original train and getting off on La Rambla rather than walking so far to reach the train that took us closer to our destination in the Barri Gotic.
But we finally made it, and found Sensi Tapas, where we were given a table–for an hour and a half, the attendant stressed. Our waitress learned we were from Louisiana, and explained that she plans to take a month in Louisiana next year. She was so excited to hear from real Louisiana residents.
Our food was, as always at Sensi, wonderful. Padron peppers (more than we could eat), shrimp, pork cheeks and raviolis in truffle sauce, truly decadent. The wine I ordered was corked, one of the very few times that has ever happened to me. We soldiered through a glass, and I finally called the captain over to taste it himself. He agreed immediately, took the bottle off the bill and gave us two glasses of good wine to accompany our delicious dinner. We went home happy and full.